best micro 4/3 lens for wildlife

You can take 700 to 900 frames on a single charge, which isn’t terrible, and there is a battery grip available that houses two extra batteries. Check price of the Olympus OM-D E-M1X on:Amazon | B&H Photo, Second-hand Olympus gear onMPB US | MPB UK, Guide:Birds in Flight Settings for the E-M1 II and E-M1X, E-mount system – 24MP 35mm sensor – 20fps with C-AF, live view and no blackouts. This diagonal fisheye lens was the first of its kind to be launched for the Micro Four Thirds system, and eight years later it remains a solid choice. April 2017, All The D500 has other interesting specifications that I appreciated but they don’t necessarily bring an advantage over the mirrorless products I will analyse below: I chose the Nikkor 200-500mm f/5.6 because it is a recent lens and gives you an excellent range to work with (300-750mm equivalent). At 30fps there is a catch: the sensor is cropped by 1.25x and in my tests I found that in crop mode the camera occasionally fails to write the files correctly (a bug that doesn’t seem to be fixed after firmware 3.10). Concerning the lens selection, there are currently nine telephoto lenses that can suit the genre very well. If Fujifilm decides to release an X-H1 successor with the same technology as the X-T3, it could become a killer camera for this genre. For wildlife I also use both on the GH5 and GX8 my 40-year old Canon FD 400mm f4.5, a fantastic lens at 1.2 kg, f. 4.5 is nice to have, especially during winter in Scotland. The micro four-thirds system has some advantages for wildlife photographers due to the nature of its sensor and technology. On the a6300 and a6500, the AF performance was good but not as fast as with native E-mount lenses. The camera itself is very comfortable to use thanks to the many dials, AF joystick, touch screen, user-friendly menu system and the possibility to customise the camera to your liking. Still, you can shoot at 20fps with the full width of the sensor, and even better, all these speeds are available with live view and no blackouts, just like the Sony A9. The camera has a fast sensor readout so rolling shutter is well-controlled when using the electronic shutter. Can be used handheld as well in M mode and manual focus, which is no issue for me as I have shot like that for 30 yearsd. The X-H1 offers a larger grip and better ergonomics than other Fuji models which makes the camera more comfortable to use with large lenses such as XF 100-400mm. And it’s no wonder their Micro Four Thirds lenses are one of the best performing lenses … This Micro Four-Thirds camera is one for the purists. The Panasonic Leica DG Vario-Elmar 100-400mm f/4-6.3 ASPH. The best option among APS-C lenses is the new 70-350mm. In fact, in a moment of distraction, you might mistakenly start to record images were it not for the counter in the top left corner of the screen. To give you a few numbers, more than 24 telephoto lenses (300mm or longer) are available for the D500 and that is without counting kit lenses, all-purpose lenses and teleconverter options. I’m also glad that Olympus has introduced a mid-sized 5x5 group. Check the price of the Fujifilm X-T3 onAmazon | Amazon UK | B&H Photo | eBay, Second-hand Fujifilm cameras onMPB US | MPB UK, E-mount system – 24MP APS-C sensor – 11fps (C-AF). The cost increases considerably if you want the fastest telephoto lenses available. Tracking is more precise because the camera analyses data from the images it just took and the live view. Thanks to its complex stacked sensor that includes an integral memory, the camera can process a huge amount of data simultaneously, bringing the electronic shutter performance to a whole new level. Olympus and Samyang offer cheaper - not to mention smaller and lighter - 12mm prime lenses, but the Summilux is a stop brighter, sharper in the corners when wide-open and the only one that's dust and splash-proof. I won’t go in-depth about sensor and image quality as I believe that all the cameras I’ve mention here give you good enough results for this genre. Important note: the article is “dynamic” meaning that it will receive updates after testing new equipment. Great to see you using the Oly OMD EM1 MkII for bird photography. the E-M1 II remains a smaller and more affordable option, and firmware 3.0 has improved the AF performance (not as good as the E-M1X but much better than before). To fully understand the advantage and experience the potential of this technology, you really need to try it with a fast moving subject. Pro Capture is limited to the H mode with Panasonic lenses. If your goal is to capture animals in their natural environment, you will need a suitable lens to do the job. The older TC 1.4 and 2x are not designed for lenses faster than f2.8 and Fujifilm warns that the optical quality won’t be as good if you use one of those older versions on the 200mm. Lens, matched with any M43 camera, gives you a stabilized telephoto lens with a 35mm equivalent focal length of 200-800mm! Using the E-M1X with the same telephoto lenses I used with the E-M1 II before didn’t force me to upgrade my backpack, so in the end the difference isn’t as big as you might think. Preface II: Nikon D500, the one to beat for birds in flight4. Its autofocus system performs quite well and is not too far from the flagship cameras. The 5 Best Micro Four Thirds Lenses for Video in 2020 Unless you are familiar with your filming needs, it is almost impossible to pick a Micro Four Thirds (MFT) lens. Sony provides the best products when it comes to quality and speed. One of the main differences in comparison to most of the mirrorless cameras mentioned here is the low number of out-of-focus shots I got. For now I’ve decided not to include them because there aren’t any native telephoto lenses to go with them. These recommendations are based on lenses we’ve reviewed here at Nature TTL, as well as information gleaned from real life experience with the gear. Here’s the list of the best micro four thirds lenses for travel photography : 1. Note: the code above is invalidwhen the software is on pre-order. In the next few sections, I will walk through how a 2x 35mm equivalency, quiet camera, high ISO range, high shutter speed, and high-resolution. The lens list is very similar as that of the E-M1X: Please note that the performance may not be as good with Olympus lenses because the DfD system is officially only compatible with Lumix/Leica lenses. BTW enjoying the podcast! Copyright 2017 - 2020 - All Rights Reserved, ​Micro Four Thirds camera Gear For Bird/Wildlife Photographers, Panasonic Leica DG Vario-Elmar 100-400mm f/4-6.3 ASPH. The 4K video quality on the other hand is a big step forward and includes 4K video recording up to 60fps in 10-bit, as well as a maximum of 120fps in 1080p. But the Panasonic Lumix G Vario 45-150mm f/4-5.6 ASPH. The built-in image stabilisation remains the best on the market (it has an even higher rating than the already stunning E-M1 II). Check price of the Panasonic Lumix G9 onAmazon | Amazon UK | eBay | B&H Photo, Second-hand Panasonic cameras onMPB US | MPB UK, Guide:Best G9 Settings for Birds in Flight. Despite not being as advanced as the GH5 for video, the G9 still has some nice features on offer if you are interested in this genre for wildlife. Certainly the old rule applies – a body with a larger sensor can give you better dynamic range or high ISO performance – but I can safely say that I got good results with all the models listed here. I think another great point of the micro 4/3 is to be able to use third party lenses with a simple converter. The camera has a dual SD card slot (no.1 is UHS-II compatible), a precise AF joystick, weather sealing and an outstanding level of customisation. I hope they will release a new TC 2x f2 as well because it would give photographers better reach for wildlife. The Best Micro 4/3 Lenses for 2019 1. Ethics statement: All opinions expressed in this article are our own and based on real world experiences with each camera. The Trinity of Lenses for Bird Photography and OLympus and Micro Four-thirds photographers. Conclusion. Switch to the electronic version and you can increase these speeds to 20fps (with AF/AE Tracking) or 60fps just like the E-M1 II and E-M1X. Why the Fujifilm X-T3 can be an interesting choice for wildlife and bird photography: Preface I: what makes a mirrorless camera good for wildlife photography, Preface II: Nikon D500, the one to beat for birds in flight, Birds in Flight Settings for the E-M1 II and E-M1X, Olympus OM-D E-M1X vs E-M1 II – The complete comparison, E-M1 II, firmware 3.0 and birds in flight, Sony A7R III vs A7R IV – The complete comparison, Sony A7R III vs A9 – Five key aspects analysed, Fujifilm X-H1 vs X-T3 – Comparison preview, The Best Mirrorless Cameras for Birds in Flight Ranked, The Complete Guide To The Best Mirrorless Cameras, Panasonic G9 vs Olympus OM-D E-M1 II – The complete comparison, Olympus OM-D E-M1 II vs Fujifilm X-T2 – The complete comparison, Sony a6500 vs Fujifilm X-T2 – The complete comparison, Sony A7 III vs Fujifilm X-H1 – The complete comparison. The E-M1X comes with an advanced algorithm that can detect different types of subjects. Let’s take a look at some of the best lenses available for wildlife photography. My interests wouls be nature and wildlife. This lens costs under $1800, has a close focus distance of about 4.5 feet and weighs in at just over two pounds. Products like the Sony A9 and A9 II have nothing to prove anymore when it comes to AF performance. For instance, it gave me a much better keeper rate for birds in flight – around 74%, or 91% if I include the slightly soft images. Second, we have the continuous shooting speeds. Another relevant feature to highlight is the full frame/35mm format sensor with 24MP that gives you excellent dynamic range and high ISO performance. Thank you! The selection increases with the lenses designed for the Sony full-frame mirrorless system and you can benefit from the 1.5x crop factor. After all, a high end APS-C camera with better ergonomics and perhaps more technology from the Sony A9 would be an excellent choice for wildlife. Next, I’ll go over the best lenses you might want in your kit, and then you probably should pick a one or two lens solution for your style of photography. At higher speeds, it’s the last image taken that is shown instead. Best macro lens; Best travel lens; Here at DPReview we use a lot of lenses, but we can't test every single product on the market. If you are looking for a wildlife lens and you already use the micro four thirds system, your best choice could be to change to a full Canon system. Then we have the autofocus system which, with its 425 phase detection points and updated algorithm, is on par with, if not better than other cameras on this list in terms of performance. The continuous shooting speeds go up to 12fps or 9fps with continuous AF when using the mechanical shutter. And soon the camera will get EyeAF for animals, which we already tested on the A7 III and found really effective. Lenses are the bread and butter of your photo arsenal and if you’re someone who enjoys taking photos of wildlife, you’re going to need some pretty specific (and sometimes costly) lenses. POWER O.I.S. Telephoto zoom lenses on the other hand are more suited to specific types of photography, such as wildlife, sports or action – basically anything which requires you to get closer to the action. Put simply, the more focus points the camera has, the better chance you have of it being able to quickly lock on to, and more importantly keep your subject as it moves, in focus. With a keeper rate of 96%/99%, its phase detection system with 693 points has made the leap forward we were waiting for. Article updates2. Here’s a list of popular Nikon lenses, along with equivalent offerings from Panasonic and Olympus. However in practical terms, I haven’t found such a big difference. The AF of the G9 excels in almost every way and in our in-depth comparison with the E-M1 II, we found it to be better in most situations except for birds in flight, or more precisely, birds flying against a busy background. Note: the more recent A6600 has an in-body image stabilisation, a larger grip and bigger battery, all welcome characteristics for this photography genre. Right? These are a great starting point for shooting wildlife, but if you want to get serious about the subject, their relatively short reach can quickly become limiting. For landscape and portrait I used a Voigtlander 17.5mm 0.95 and a Soviet-era Jupiter 9 85mm f/2. Focus acquisition and the camera’s ability to lock onto difficult subjects have both improved and the camera reacts more quickly and accurately when birds unexpectedly veer towards to you. The only real disadvantage of the Nikon gear is the extra size and weight. It has everything you need including two SD card slots. So I picked the flagship APS-C Nikon D500 with the recent Nikkor 200-500mm f/5.6 to see how much better the performance was in comparison to today’s flagship mirrorless cameras. Also keep in mind that features such as Pro Capture are not compatible. The Leica Summilux 12mm f1.4 is a high-end lens for Micro Four Thirds bodies on which it delivers the classic 24mm coverage. Best overall kit: E-M1X, M.Zuiko 40-150mm Pro, 300mm Pro and MC-14 ($7150 / £6080 / €6730), Best kit with 1 lens: E-M1X, M.Zuiko 300mm Pro and MC-14 ($5850 / £5080 / €5530), Versatile kit with 1 lens: E-M1X and Leica DG 100-400mm ($4600 / £4070 / €4440), More affordable kit to begin with: E-M1X and Lumix G 100-300mm II ($3600 / £3300 / €3540), Sony FE 400mm f2.8 GM (600mm f/4 with TC 1.4x, 800mm f/5.6 with TC 2.0x), Sony FE 600mm f4 GM (840mm f/5.6 with TC 1.4x, 1200mm f/8 with TC 2.0x), Sony FE 200-600mm f/5.6-6.3 G (280-840mm f/8-9 with TC 1.4x, 400-1200mm f/11-13 with TC 2.0x), Sony FE 100-400mm f/4.5-5.6 GM OSS (150-600mm f/6.3-8 with TC 1.4x, 200-800 f/9-11 with TC 2.0x), Sony FE 70-200mm f/2.8 OSS GM (98-280mm f/4 with TC 1.4x, 140-400mm f/5.6 with TC 2.0x), the only mirrorless camera to truly match the AF performance of the best high-end DSLRs, the only mirrorless camera with a live view system that surpasses the performance of an optical viewfinder, up to 20fps with AE/AF tracking and no blackouts, the best for tracking birds in flight, very expensive if you want the fastest telephoto lenses. (The same thing can be said for Canon users.) How would the em10 mark 2 do in these regards? There is also 5-axis stabilisation which works with OSS lenses too (3 axes on the sensor + OSS) but the performance is inferior to that of the E-M1X. The lenses that bird/wildlife photographers crave are available in M43 format. Serving up 20-megapixels of resolution, the Pen-F is fairly speedy too with users able to capture the action at … Sweepstakes rules and regulations can be viewed here. Here are all the native lenses to consider, as of now: Because the A9 II has a versatile phase detection system, you can also consider using DSLR lenses via compatible adapters. lens. Top 19 Best Olympus Micro Four Thirds Lenses 2020 Features / Here's a round-up of the top 19 highest-ranking Olympus Micro Four Thirds lenses reviewed by ePHOTOzine to date for you to peruse. These hardy ultra-telephoto zooms get you closer to the action, allowing you to cover the kind of serious distance you need to photograph subjects such as an airshow, a football match, birds, or safari wildlife. Scott, It is half the price of the A9 II and this is why it deserves a mention here. I haven’t tested the camera yet but the sensor and AF are the same as the A6400. Bear in mind though that there is still some distortion due to rolling shutter. The 4K video quality is excellent and there are lots of useful settings for advanced video makers but rolling shutter can be severe when panning quickly. Though the viewfinder is smaller than those of the other cameras listed here, it compensates for this with good clarity and a fast refresh rate (120fps). It that became a reality, this section could get updated once again. The camera locks onto the subject very quickly and understands much better where it is even against a confusing background. If a DSLR gives you the advantage of zero lag thanks to its optical viewfinder, the Sony A9 II goes a step further with its electronic shutter and live view with zero blackouts. lens is $100 cheaper and has 50mm further reach, so this would … More Gear The E-M1X is the best choice for advanced users not only because of its improved autofocus, but also thanks to its high end flagship design which was previously missing from the mirrorless segment. The top LCD screen is very handy as a way of checking settings on the fly and the electronic viewfinder is excellent thanks to the high resolution of 3.68M dots, 120fps refresh rate and variable magnification (the highest being 0.83x). Hands-on Review. They all pair well with both older and more modern MFT cameras. You still get 20MP but the improved dynamic range when recovering the shadows is certainly welcome. I am looking into starting photography. We don’t consider them the very best for the genre but some of them are less expensive while others have interesting characteristics. The best wildlife lens is a huge telephoto. How good are mirrorless cameras for wildlife photography? The E-M1X uses a modified sensor from the E-M1 II. 8 affordable telephoto lenses for wildlife photography October 10, 2017. continuous shooting speeds up to 60fps and 18fps, the Pro Capture mode lets you save images before fully depressing the shutter release button, state of the art image stabilisation for stills and video, EVF with large magnification and 120fps progressive scan, weather sealing, dual SD card slot, excellent battery life, the 20MP sensor has improved dynamic range but you won’t reach the same kind of quality as larger sensors, Pro Capture works with Panasonic lenses in H mode only, it is a large investment if you want to work with the best lenses. An optional battery grip is available. It ticks all the boxes but does have one limitation that can’t be overlooked: the autofocus. The camera offers resistance against dust and moisture but isn’t freeze proof. So if we've excluded your favorite lens, or if you disagree with any of our selections, please let us know in the comments below. If you like roughing it out in the wild and need a micro four thirds lens that can also tough it out with you, then this lens from Panasonic is for you.

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